One of the antique Turkish rugs that caught my imagination with that red
I confess that my love for color and pattern means I begin imaging a cover and its dominant color scheme long before I begin writing the book. The cover appears at the edges of my mind, slowly taking shape and form until it glows like a vision in my brain.
Covers matter, colors matter. For this latest one, I saw red, literally, but the first book in my Crime by Design series was awash in blues and cool greens to conjure the Atlantic ocean, which flowed throughout Rogue Wave.
Volume 2, fittingly enough, features that rich Turkish red, since a background of rare Turkish textiles contributes to the setting. I even researched how the artisans obtained that hue, which turns out to be a mix of sheep’s blood and a natural mordant. That a color can last without fading for hundreds of years amazes me.
I began collecting textiles while in Turkey, thinking how they’d make an excellent background for my cover. Besides hanging out at Istanbul’s Islamic Museum of Art, I brought home five kilims and one carpet from the first voyage. But the central motif–that enigmatic Goddess with Vultures motif–appeared to me much later. It turns out that she is so ancient , her story begins far back in the Bronze Age. And that, my friends, is a true story best left for another post.